
Over the weekend, I took Merrie down to the Norman Rockwell Museum in Stockbridge, Mass. Yes, I know that Rockwell is the scourge of the art world. I know he is dismissed as saccharine, unchallenging, simplified, utterly corny. And I’ll admit that for decades, I myself have ever-so-slightly rolled my eyes every time I see a hokey Rockwell print hanging on a doctor’s wall, or adorning the hallway of some sentimental grandma. Something about him made my teeth hurt.
Still, I knew Merrie would enjoy his pictures, the way they tell a whole story in a single image. I knew she’d enjoy his images of happy children, and the safe, simple world in which they appear to live. So we packed ourselves into the car, armed with coffee (for mom) and a muffin (for daughter), and headed south.
As expected, Merrie dug the paintings. But here’s what surprised me: I was really moved by the visit.
It’s true: Rockwell’s world is relentlessly sweet. It’s a world of white picket fences and big-hearted grannies. It’s a world of backyard baseball games, humble prayer, and drug store soda fountains. The freckled, apple-cheeked kids are always smiling. Adults are all hard-working, earnest. In Rockwell’s world, the worst trouble a child can get into is to ignore a “No Swimming” sign only to be chased, naked, from the pond. In Rockwell’s world, every runaway child will be discovered by a gentle police officer, then taken out for ice cream. It’s Pleasantville, plain and simple.
Insipid? I’d always thought so. But while I was there, I began thinking about the historic context in which he painted — the Great Depression. The rise of Hitler, World War II. I tried to imagine what it would be like to learn for the first time about the horrors of the Holocaust.
I tried explaining some of these events to Merrie. I tried explaining that the world can be dark and depraved, and Rockwell’s freckled faces — even his goofy hobos and heroic returning soldiers — were a kind of antidote to this, a call to Americans to cling to our own goodness even as we lost our own innocence.
It is a difficult thing, explaining Hitler to a 6-year-old. It is equally hard to look at Rockwell’s Four Freedoms paintings, the ones inspired by FDR’s 1941 speech to Congress, and to try to explain that they are just as relevant today as they were in 1943. That even today, people are still hungry, they are still oppressed, they are still fearful, and they can’t always worship as they wish.
I’m frankly embarrassed to admit it. But I was moved.
The next evening, I baked oatmeal chocolate chip cookies — I typically make up a batch of cookies, then freeze them and take out a couple at a time for Merrie’s lunches. I’d been reading about natural sweeteners, and so I tried using sucanat — which is sort of like a grainy brown sugar that has more nutrients than most refined stuff — which I had bought in bulk, alongside my organic rolled oats, which I’d also purchased in bulk. The girls were tucked in their beds, the kitchen smelled fabulous, and I was feeling frugal and wholesome, filling up plates with fresh-baked goodness.
And that’s when it hit me — I was doing a Norman Rockwell.
Not just the cookies, either. I mean this whole thing, this whole return-to-the-table, go natural, make-it-pure, buy-from-a-farmer thing. It’s very, very Rockwell-esque. And not only because it looks picturesque to go to a farmer’s market, or to serve a fresh-from-the-oven family dinner. I mean because it requires turning toward goodness, toward something wholesome, in a world that is still, and may always be, dark and depraved.
Sometimes I wonder about what I’m doing here, on this blog, talking about food when there are so many important things to talk about. It’s not like I don’t know that there’s a war on. It’s not like I’m unaware that close to a thousand U.S. soldiers have been killed since I started this blog, or that Pakistan has nuclear weapons, or that that global warming is increasing the virulence of existing diseases and may very likely release some terrifying new diseases, or that today alone close to 22,000 children will die from a preventable cause.
I know all of these things, and you do, too. These things are always looming, always hovering in the shadows. They are there as I write funny stories about getting my kids to eat vegetables, and they are there as we talk about sippy cups and meat recalls and brussels sprouts.
It’s true that I deeply believe that changing how we eat is one tangible thing we can do to change some of the world’s horrors — check out the UN report if you want to learn more about that. We eat over, and over, and over again. We do it many times, every day — it is one of the only things we do with such frequency — and if we can make some of our eating choices with an eye toward how those choices impact the world around us, I do genuinely believe that we can improve that world.
Still, there is something else at work, too. For me, at least, food gives me something I can retreat into, some kind of escape from the world’s many nightmares. Food — real food — is nourishing, food is beautiful, food is grounding, food brings people together. And when I connect my food to the farm where it was grown, it is even more of these things.
I suspect I’m not alone here, that the eat-local movement, the anti-fast food movement reflects some kind of national zeitgeist that is in some way related to the fear and anxiety that exists elsewhere.
Take farmer’s markets, for example. Since 1994, farmers’ markets have increased by 150%; since 2000 alone, they’ve nearly doubled. Go to a farmer’s market, and you’ll wind up chatting with neighbors. Then you’ll take your produce home, and you’ll put on an apron, and you’ll chop and peel and then make a meal that reminds you of one that you once had at grandma’s. And it feels good. Not just right, but good, the way Norman Rockwell’s families appear invariably, undeniably, good.
Invite people over to dinner, and you’ll wind up around a table laughing. Stop by a U-Pick farm for Berries, and your kids’ faces will soon be smeared with berry juice. All of it, so Norman Rockwell.
High-art types be damned. It turns out that Norman and I have more in common than I ever imagined.
If you want to bring a little more Rockwell into your world, but you aren’t quite ready to hang a print on your wall, I offer you my recipe for Norman Rockwell-esque sucanat-based oatmeal chocolate chip cookies. They’re not just tasty. They’re good.
Ingredients:
Half pound (2 sticks) butter, softened
1 cup sucanat (buy it in bulk or it’s too expensive)
Half-cup brown sugar
2 eggs
2 teaspoons vanilla
1 and a half cups unbleached flour
3 cups rolled oats (buy in bulk for best price, least packaging)
1 teaspoon baking soda
Half-teaspoon salt
Half a pound chocolate chips (again…go bulk!)
Directions: Preheat oven to 350 degrees. Mix softened butter, sucanat, and sugar together. Add vanilla and eggs. In separate bowl, combine flour, oats, baking soda, and salt - mix these well. Slowly add the dry ingredients to the butter-egg mix. Blend in chocolate chips. Drop in small spoonfuls onto your baking pan, then Bake in oven for about 9-10 minutes. Note that because you’re using succanat, it’s hard to tell when the cookies are “browned.” You want to remove them when they’re formed, but still soft.